| Tom Cannavan's wine-pages.com |
| This is part II of this feature, profiling six of Slovenia's most interesting estates. Part I has an overview of the Slovenian wine scene, and profiles of three producers. There are also tasting notes on over 100 Slovenian wines. |
Aleks Simčič has now taken over the running of this estate from his father Edi. Having supplied the local co-op for many years, they have been a winemaking estate since 1990, farming 10 hectares.
In some ways this is the most "international" of the estates I visited on this trip, with all wines, white and red, fermented in barrels, mostly barriques and 100% French oak. 70% of Edi Simčič's production is
exported.
There is minimal spraying in the vineyards, with no herbicides, and grass cover used between rows. The farm is "More or less organic," according to Aleks, "though I don't push that too much."
Only 15 miles from the sea, there is a clear maritime influence on climate, with cooling breezes. Mandarins and kiwis are grown, and the area hasn't seen a frost since 1997.
Aleks says that cellar door sales are growing since Slovenia joined the EU - before that there was a limit on what Italian or Austrian visitors could take home. One of the wines on our tasting - the Wine with no Name is a project that will produce a super-premium red blend. "The first icon wine of Slovenia?" I ask Aleks, who laughs: "The story starts in 1997, when we made fairly rough reds so we radically changed yields, vinification, and tannin management.
We started a totally new oak regime, and a careful selection, with some wine not being used, but sold off. Now we are homing in on vineyard and barrel selections for this wine. It has great potential." Astrum cellars also imports Edi Simčič into the UK.
The estate of Marjan Simčič is also in Brda, though Marjan and Aleks Simčič above are only very distantly related. Marjan Simčič is represented in the UK by H&H Bancroft, and his wines
have appeared on these pages before with very positive comments. Like Gravner, Marjan (left) farms both sides of the border: Italy is literally a stone's throw from his winery. The international appeal of Simčič's
wines is enhanced by ageing in French and Slovenian barrels. But he strikes a middle ground between an international style and something more iconoclastic: he is a passionate advocate of skin macerations of
up to one year and says "The first place great wine is made is here," tapping his temple. "If the grapes are fully mature, then skin contact gives only good things. What is more interesting, eating whole, ripe
grapes or sipping just the juice?"
Stojan Ščurek farms 17 hectares of vines and produce up to 60,000 bottles in a year, making this estate one of the region's larger independent estates. Tomaz Ščurek (left) has now joined his
father in winemaking and running the business, although all of Stojan's five sons are involved. The majority of their vineyards are on
the Italian side of the border, and Ščurek exports around 45% of its production, mostly to the ex-Yugoslavian states, but also across northern Europe. These are very solid, fruity, good quality commercial wines with minimal skin maceration: just six to eight hours in the press for whites, before chilling and to
stainless steel for fermentation. Reds are macerated for 10 days or so for. In the cellars, classical music is played to the slumbering wines.
One interesting wine in the Ščurek portfolio is called 'UP'. The word up means 'hope' in Slovenia, but U.P. also represents the Slovenian words for 'enjoy slow' - in fact this wine was originally created for the
Slow Food movement, and has now become a regular part of their production.
In Brda, the human dynamo that is Ale Kristančič oversees one of Slovenia's most confident and ambitious estates. Movia (represented in the UK by Lea & Sandeman) is fully biodynamic,
and a member of Nicolas Joly's Renaissance group. In fact, Ale says he is the eighth generation to farm these vineyards organically, though under his direction the biodynamic approach has been
embraced passionately.
Kristančič talks with infectious, sometime overwhelming enthusiasm about the quality of Slovenia's terroirs. He rejects the modern enthusiasm for clonal selection of planting material: "I may have a
thousand different results in one vineyard, but that means life!" He also produces an extraordinary sparkling wine called 'Puro'. After three years in vats, the base wine is bottled with the must from the
new vintage, but no sugar or yeast. The bottles are then buried in the earth for three more years, to be subjected to the earth's magnetic forces. Finally, the wine is dug-up, cleaned and labelled without being
disgorged.
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Instead, it is sold with instructions on how to disgorge it at home (or more commonly, in a restaurant), in a tank full of water, where the yeast shoots out under pressure. The wine sounds a little crazy, but
each step is designed to make the wine as natural as possible, introducing nothing that did not originate in the same vineyard.
Kristančič uses almost no sulphur in his winemaking, and utilises a lot of small barriques of French oak for varietal white wines, but larger Slovenian oak for reds. He describes his approach as
a pragmatic one that tries to be as natural as possible, but not obsessively so - "foot treading of grapes may be 'natural', but its not the best. Where possible we work naturally, trying to interfere as little as possible."
He takes every aspect of the operation very seriously: "It is vital that we have intellectual people involved in Movia. That includes my friends who pick the vineyards at harvest time; they must be sympathetic to the vines and understand that my
courage and my vision is in the hands of their labour."
